The Conquest

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The final celebration at Bromyard’s Conquest Theatre paid dramatic tribute to the Past In Mind project.

In the few weeks leading up to this event our stress levels were almost unbearable. We were so keen to do the project justice. The ‘Day in the Life’ idea sprung up at the end of an intense brainstorming session, dangerously close to the event itself. It kindled a fire of creativity which strayed into the realms of madness. Head rushing adrenalin which feeds the brain’s thirst for more stimuli can send the ‘possessed’ writer into an alternative reality. But the rewards are phenomenal.

On the day itself, as I sat on the theatre stage waiting to recite my piece, I felt thrilled to be taking part. Some of my close friends were among the audience and I couldn’t help feeling proud of our achievements as a team.

A year ago, many of the volunteers would have run away from a theatre costume, a script and an audience. Yet here we all were, eager to share our project with a public audience through dramatic snapshots of Studmarsh and its people moving through time.

I will shortly post the ‘Day in the Life’ pieces on the Blog along with links to some video footage of the event.

Archaeologist Ian Bapty, historian Dr. Kate Lack, and project Manager Jenny McMillan gave lively accounts of the academic and personal findings from the project.

We were offered medieval-style refreshments produced and made by locals. These were much appreciated.

Although this particular project has drawn to a close, Past in Mind lives on. The door has been opened to other opportunities linked to local heritage, volunteer work and further research.

This means that Blog from the Bog will definitely not stop here.

From a mental health point of view, volunteers have experienced ups and downs during the past year but I can safely say that no one has regretted taking part in the project. We have grown together and all participants feel justifiably proud.

I will end this post with a genuine thank you to everyone who has been involved with Past in Mind.

Our Final Celebration

On Saturday April 6th we are staging our final celebration of the Past in Mind project at the Conquest Theatre, Bromyard.

No one can doubt that this project has been a success. When we started out a year ago we had no idea what to expect.

Everyone involved has faced challenges along the way, but the project has continued to thrive. I have learned so much academically and personally. Like many other volunteers I have discovered that I can do tasks (such as sieving the topsoil of an archaeological trench). In most cases there is a way round things. This has greatly increased my confidence and self belief.

The final celebration on Saturday aims to showcase what we have learned about Studmarsh and its inhabitants. Archaeologist Ian Bapty and historian Dr. Kate Lack will be presenting our discoveries to the public.

We wanted to do something different from the average symposium, so we are bringing to life certain people, objects and elements of nature through a series of short monologues. All of these will have a connection with Studmarsh. Some of the historical characters will be dressed in period costume, provided by the Conquest Theatre.

All the monologues have been written by volunteers and staff who have worked on the Past in Mind project throughout the year.

I am reciting a monologue myself, and as always with public speaking, I am struggling to contain my nerves. Thankfully we set a two-minute time limit for each monologue so it will be the shortest “speech” I’ve ever made in public! I will be speaking as a blind story-teller living in the 15th century. Those attending the event can expect to hear and see wenches, Labourers, a Studmarsh ghost and even the Grim Reaper himself….

We have been working towards our final celebration for several weeks now, and the air has often become taut with tension. It feels so important to convey the essence of the project to the audience, as well as our findings. As a group we have grown together, which is one of the reasons Past in Mind has worked so well.

The event is open to the public so if you are interested please come along. Most of the people who have been involved with Past in Mind will be there on Saturday.

We look forward to seeing you!

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Studmarsh to Venice

Grand Canal, Venice, Italy pictures

Just over two weeks ago I was sitting in a restaurant in the heart of Venice.  This is no delusion; I really did go to Venice for three days.  After last year’s bleak December it seemed an ideal antidote. 

I thought I would share my Venetian tale on the blog, as I know those involved with the Past in Mind project would feel the same appreciation and wonder as I did, walking round this ancient city. 

The first thing I would say about Venice is that getting lost is a prerequisite.  If you accept that getting lost is part of the Venetian experience, then the myriad alley ways and squares will be jewels rather than millstones.  Even when the maize is never-ending and there really seems no way out, the quirky narrow streets and tall buildings expel a wave of magic that draws you in ever deeper.  All the while I was in Venice I felt enchanted by its spell. 

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Understanding the transport system was taxing to say the least.  We’d been warned not to fork out the price of water taxis, so our first challenge was to find the right vaporetto (water bus) to get us to the island of Lido, where the hotel was.  This was our first taste of being lost in Venice.  Travel weary and overwhelmed by our surroundings we became entangled in the spider legs of the city.  It was now dark and the small bakeries and antique shops were dangerously alluring.  Intoxicating though it was, we were hungry and desperate to shed our rucksacks.  When we were on the point of expiring my friend was brave enough to ask for directions in Italian, which got us on that first vaporetto to Lido.  Crossing the water on the Venetian equivalent of the London Underground was where the adventure really began.

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To say we were relieved when we reached the hotel is an understatement.  I felt as if I’d crossed a whole dimension in time and space.   But we’d barely set foot in the sumptuous foyer when the smartly dressed Italian behind the desk told us that unfortunately the hotel was closed because of a broken down boiler.  It was back to mainland Venice for us.  Back on the vaporetto across the dark lagoon and into the city’s maize.  This is where you need some healthy reserves of stamina and a good sense of humour.  If you can’t laugh in Venice, it’s a tough call.

Our replacement hotel was more basic but adjacent to the Grand Canal which made it an ideal location for future exploring.  The room was right on the top floor so it meant climbing flights and flights of narrow stairs.  I’ve never been so glad to sit on a bed and kick off my boots! 

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Weariness aside, I was totally overawed.  Just treading the ground of Venice made the place come alive for me.  I could picture artists and musicians thriving with inspiration century after century.  There was music in the air, and it was blissfully peaceful.  The fact that there are no cars in Venice allowed my ears to tune into the atmosphere.  I could stand still and absorb the vibrations which rumbled through time and back.

Apart from a visit to Murano, we did not have an agenda for our holiday and that was a wise decision.  It allowed us to wander through the backstreets peeling off the layers of the city until we had reached its deepest core.  Each narrow street (or “Calle”) was lit with quirky shops selling items ranging from vintage curios to cakes to Designer clothes.   The deeper we penetrated, the more obscure it all became.  It was Venice with bed hair and no make-up.  We walked for hours, often ending up at the same point of obscurity with no one in sight.  Climbing back to the surface of the city was no easy task, for we kept being sucked back into its underbelly.  At times it was like being in a whirlpool, going round and round in an endless spiral.  Despite a couple of despairing moments when we feared we’d never find our way back to a familiar landmark, to me this was the essence of Venice and I loved it.   I’d thoroughly recommend setting a whole day aside for wanderlust.

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Visiting Venice in winter has untold advantages.  There are relatively few tourists, prices are lower and there is no need to cover your mouth with a handkerchief.  But more importantly, it allows you to breathe in the beauty of the city almost unheeded. 

A tourist in winter gets a glimpse of Venice mending itself before the onset of the busy season.  We walked along the waterway of the Piazzetta (adjoining St. Mark’s Square) and were treated to a feast of Venetian industry with its backdrop of lapping water, gulls and rushing wind.  The sound of hammering, chopping, banging and lively chatter had a hypnotic rhythm.  The lagoon was alive.  Personally I would never choose to visit in summer.  The thought of fighting through throngs of tourists on every street makes me shudder.  I enjoyed having Venice to myself, or so it seemed. 

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 On our final night we went for our last walk across the Rialto Bridge and into St. Mark’s Square.  St. Mark’s Square was almost deserted.  The Basilica was laid bare in all its glory, and I felt utterly insignificant yet filled with tremendous strength.  Touching the stones and pillars was like drawing energy from an invisible source of power. 

All of a sudden, the Campanile San Marco began pounding out eleven peels to mark eleven o’clock.  I was momentarily disorientated, for each toll seemed to be sounding from all corners of the Piazza.  With every mighty peel the intensity of the sound increased.   I felt totally engulfed and found myself holding my breath.  The relentless booming seemed to be tearing through the heart of Venice yet at the same time pumping life into its veins.  It was urgent and deeply melancholy.  After the eleventh toll there was a crushing silence, which made me gasp.  The reverberations held me still.  And then came the melody of the five bells, rocking backwards and forwards between raw sorrow and joy.  As each bell called out to another I stood there with red hot tears in my eyes.  I was caught in time, curled up right inside those magnificent bells and roaring to the world that I was alive.

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I could write so much more about my introduction to Venice.  Its mystery, its haunting passageways which kindle the imagination , its shadows and shards of light, its famous inhabitants inspired to peaks of creativity, its rippling canals and magnificent buildings, its hundreds and hundreds of bridges.   Venice has left a lasting impression on me which I can still feel.   Three days was not enough, and I am determined to go back for more.

Check your calendar…!

Past in Mind Project Events     

Spring 2013:

Happy New Year everyone!

In the next and final phase of the Project we hope to mount a display depicting the life of the project, the people involved and the discoveries in archaeological and historical terms.  We will produce reports and an evaluation which you can contribute to soon.  We will finish with an event at the end where we will celebrate and showcase the work of all the volunteers, the professionals and the project overall.  I will send you the date and venue for that in due course.

In the meantime we have still got a lot to learn and explore so here are some dates for your diaries. The venue is – The Museum & Resource Centre, 58 Friar St. Hereford HR4 0AS.

Tue 19th February  10am – 2pm.            Archaeological session

Dai Williams & Jenny 

Wed 27th February  10am – 2pm.           Presentation & Workshop

                                                                  Stephanie Ratkai, Pottery Specialist 

 Fri 15th March  10am – 2pm.                        Presentation & Workshop

                                                                  Peter Reavill, Institute of Archaeologists

                                                                   http://finds.org.uk/blogs/themarches/

We are both fortunate and delighted that both Stephanie and Peter have agreed to contribute to our project. They are highly respected in their fields so I hope you can show your support and interest by attending these events.

A light lunch will be provided at all events. Please contact Jenny McMillan to book a place. jenny.mcmillan@herefordshire-mind.org.uk  or Mob: 07812370553

Stay updated by visiting our blog: http://pastinmindproject/wordpress.com/

BREAKING THROUGH BRAMBLES

PIMhd20                                                                                                                                         Happy New Year everyone!  I’m very pleased to be back in the blogosphere after what seems like a decade of lying low. 

New Year always brings a wave of optimism for me, and I like turning the corner at the end of December ready to face a new leg of the journey - where anything is possible.  There is something cathartic for me in placing 2012 in the archives box.  The Past in Mind project which took off in 2012 continues to be a real treasure, and it will be featured on display later this year at the National Trust’s Brockhampton Estate.

But the latter part of 2012 became a personal struggle and there were times when I honestly thought I would never find a way out of the darkness.  During this period I lost the ability to write.  I literally shut down and became lost in a very frightening world.  But the pit I fell into wasn’t bottomless, for with help from friends and professionals I managed to cling on to a ledge and prevent myself from sinking out of reach.  I am now slowly climbing out into the open again, and glad to be alive.  January 2013 has brought me some clarity and some hope.  It has been therapeutic surveying the bleak despairing weeks of late 2012 and sending many aspects to the archives.  Having regained possession of trowel and spade, I am ready to discover what lies ahead.  I have been given another chance, which is why I genuinely mean; “Happy New Year everyone”. 

Unfortunately I wasn’t able to attend the Symposium on December 8th 2012.  This was an important moment for the Past in Mind project.  The Symposium is an annual day-long event in Hereford where all the County’s archaeological projects are shared with the public.  Archaeological finds, progress and academic interpretations are all aired with lively question and answer sessions throughout the day. 

Past in Mind was given a platform during the Symposium.  Obviously our project aims to make an academic contribution particularly in relation to (so-called) Deserted Medieval Villages, of which there is comparatively little knowledge nationally.  But Past in Mind also has a historical research strand, so the project brings together the two disciplines of history and archaeology.  Pushing further boundaries, Past in Mind is interwoven with mental health recovery and the individual odysseys of all the Community volunteers whatever their background or experience.  At times it has been challenging finding the right balance between the many strands linking the Past in Mind project, but it has always been our aim to promote inclusion and reduce some of the stigma that people with mental health troubles face in everyday Society.  This has been the underlying current running through our project and it is what makes this project very special to us.

From what I understand the Past in Mind Project caught the attention of the audience, many of whom were amateur or professional archaeologists.  The presentation was given by Jenny, Ian, Kate and the volunteers – all of whom were on the stage.  This clear demonstration of inclusion is the essence of the Past in Mind project, and it also makes it evident how archaeology, history and mental health are entwined.  It is heartening to know that many people would have gone away and given some thought to the concept of archaeology/history and mental health recovery linking together in a really positive way. 

One other significant event in December 2012 was the broadcasting of live conversations recorded during the excavation last Summer, on Radio 4’s “All in the Mind” programme hosted by Claudia Hammond.  This audio snapshot really captures the magic of Past in Mind:   http://www.bbc.co.uk/programmes/b01p71gx

The Past in Mind project has funding for a few more months.  As mentioned earlier, we will be working towards creating a display which will be housed in the Brockhampton Estate later this year.  We also have more historical research to do so that we can increase our understanding of some of the people who once lived in Studmarsh.

Please check the blog for updates as our programme of Events will be posted on here shortly.

WE WISH ALL OUR READERS A VERY HAPPY AND PEACEFUL 2013    

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Digging Through History (by Dr. Kate Lack)

A dozen people spent a large part of 18th October exploring how documentary evidence can help tell the story of the occupants of Studmarsh. We began in a café, ended in a pub, and spent a bit of time in the Record Office in between!

In many ways, historical research is like archaeology. We start by peeling off the upper layers, which seem to reveal nothing, but as we work away we begin to uncover evidence which may begin to fit together to tell a story that makes sense. The difference is that when doing historical research there are lots of different tools we have to use to get access to the buried evidence.

There are two periods of history in which we have a chance of finding specific information about Studmarsh:– just before the Reformation (the late middle ages to Tudor times), and the post-Reformation period, from about 1550 to 1750.

We began by looking at two poems by John Skelton, who lived through the transition between these two periods. Both were in English, and gave an idea of what life might have been like in late medieval Studmarsh. Mannerly Margery was wonderful when read by Jenny with her Irish accent! Eleanor Rumming was a bit harder to understand, but we still got a good idea of the power a woman could have in a small community if she brewed good ale, including plenty of detail of the household items people were willing to give her in exchange for a drink.

Tools

1.Names

Margery (or Margaret) and Eleanor were both very common names in medieval England. Name-choices can reveal a great deal about  people and societies, and we noticed that, just like in our own time, children in the post-Reformation period were being given very different names from, say, their grandparents. Partly this would have been because of changes in beliefs (fewer saints’ names, more virtues like Patience), partly because of increased literacy (many biblical names appear just after the Reformation). We also talked about how names can help us to identify people in the past.

2. Wills

By late medieval times, more people were writing wills, and they become more common later. In the Hereford Record Office, wills are indexed in three ways, and we spent some time finding out how these work. We soon discovered that it is always important to write down the information you find as you go along.

The earliest ones (from 1400 to about 1540) are listed in a book called Faraday’s Probate Index. We looked at this, and found the index by surname at the back, the list by reference number near the front, and learnt what some of the abbreviations mean.

From 1540 to 1700, wills are in a hand-written index called Woodards, which is kept in two brown boxes, subdivided alphabetically by surname. Unlike Faraday, this does NOT cross-reference by surname variant, so for Biddle, for example, you also have to look under Beedle, Byddle and so on.

The most recent wills are indexed on films which are kept in blue boxes in the last of the wills film drawers. First you have to find the right time period. Then the film gives a photograph of a big ledger-type book, with lists of wills by surname. These are in initial letter order, but if a page was filled up, the person compiling the list would have to go on to the next empty page. So often you find that after three pages of ‘B’ surnames you go onto ‘C’ and ‘D’ before coming back to ‘B’. This may happen several times in one ledger. If the person you are looking for left a will, there will be an entry like: Biddle Richard    62.  This means that in the next section of the film you will be looking for folio 62. We discover at this point that a folio has two sides, unlike our modern page numbers where each side has its own number! Folio 62 will have a short entry about Richard Biddle, including a date, his parish, key people named, and usually the total value of his wealth.

Once you have found an entry for a will which you think may be relevant, and have made a note of all the information included in the indices, you are ready to find it.

All the wills have been photographed so should be available to view on film reels. These are arranged in time order, and then in surname order, but neither system is exact, so it can take a long time to find one will. Once you have found it, the staff will help you to make a copy of it. Write its details on the back of every sheet.

3. Parish Registers

These begin in Tudor times – some as early as 1539 and all parishes were supposed to have them by the 1580s. They are extremely valuable because everyone’s name should be in them at least twice – for their baptism and burial; everyone who married had a third entry, for that.

Registers are available on film in the Record Office, in alphabetical order by parish name.

Together wills and registers help us reconstruct how wide a person’s social network was, many details of their family life, times of disease, what personal possessions they had and so on.

Using these tools, we were able to ‘dig out’ several new pieces of information while we were at the Record Office.

One group got part way through looking for a will from the 1750s which may be relevant, and they plan to go back and finish finding it soon.

For Richard Biddle whose will we began with in the spring, we found his burial record which showed that he died in summer 1674. He was described as living on Bringsty [Common] and was buried in Bromyard; in his will he described himself as ‘of Linton’. We should be able to use this information to narrow down which house he lived in.

We found the will of William Colley of Norton, a contemporary of Richard Biddle, and now we must find out what it says.

We are still trying to discover if another William Colley, who held a lot of land in Whitbourne in 1577, is recorded in the parish registers. We also want to know if this is the same William Colley who lived at Studmarsh, or another person with the same name.

We did find the will of James Biddle, and now we need to find out what this says, too.

So, we are beginning to build up a more detailed picture, and fill in some gaps.

Now we can work out what the wills we have found so far mean, and see if they fit together. We are planning another day in November when we can get together again, and in the meantime we can have a go at looking at them in small groups. I’ll post them up on the Blog in a day or two.